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WHAT IS A SWORD?

Let's not get all philosophical here.  A sword is a tool for killing people.  Currently it is an obsolete tool  -that's pretty simple when you get right down to it.  A tougher question is what makes a specific weapon a sword?  It has a blade, a guard and a handle.  Most have a blade more than sixteen inches long.  But an eighteen-inch long pizza cutter has a long blade and a handle and a guard of sorts, yet it is definitely a knife.  The term 'sword' has proven surprisingly difficult to pin down an exact meaning for- but we usually know one when we see it.  Part of the problem is that swords come in a baffling variety of forms, sizes and shapes.
We can start with what a sword is not.  A medieval sword is not a big knife.  It is not crude.  It is not heavy.  It is not clumsy or poorly balanced.  OK, there were isolated examples that were some or all of these, but why talk about bad swords?   Early on when custom knife makers started trying to make medieval swords, there was some tendency to make them like big knives.  This resulted in swords that were far too heavy that didn’t work all that well.  Some people didn’t care- some still don’t.  Fortunately, most of us learned pretty quick that that wasn’t the way to go...   Because of their length and the energy with which they strike the target, swords encounter stresses that knifes do not- they need to be engineered differently.

The medieval sword was a sophisticated and well-developed weapon.  It was the highly evolved product of at least two thousand years of experience and experiment.  Guilds of bladesmiths passed trade secrets down from generation to generation, and the body of knowledge demonstrated by surviving swords is awesome.  There are some examples that easily equal Japanese swords for esthetics and craftsmanship.  There is purity to these designs, a wedding of form and function that is quite elegant.  

Because of Hollywood and inexpert writers of fiction most of us start out with the impression that these swords were heavy and slow.  Hollywood portrays fighting with medieval swords the way it does for two reasons- at first they had no clue, but more recently it's because realistic swordplay is too fast and subtle for the average audience to understand or appreciate.  In point of fact the stereotypical medieval sword for one-handed use (Classified by Ewart Oakeshotte's typology as a type XVIII) with a simple cross guard, a disc pommel and a flattened diamond cross section weighs in the neighborhood of two pounds.  ‘Heavy’ Viking swords usually fell within the range of 2-1/4 to 2-3/4 pounds.  Most two-handed swords intended for battlefield use weighed 4-1/2 to 6-1/2 pounds- but were easily manageable because their very long hilts allowed the user to spread their hands far apart for leverage.

The perception of these swords as being clumsy and poorly balanced comes from people that were familiar with fencing in the nineteenth century writing on swords.  They assumed that modern fencing was the apex of swordsmanship, and tried to apply the standards of fencing weapons to swords that were used very differently.  They were right in a sense- a medieval cut-and-thrust sword is a lousy tool for modern fencing (it was, however, a dandy tool for hacking your enemy apart on the medieval battlefield.)  These 'experts' often went so far as to state that medieval sword fighting was dependent entirely on brute strength and employed little technique or skill.  Many still say this, even though by now they really should know better.  Studies of the writings of late medieval masters like Fiore show that that they had highly developed and sophisticated martial arts.  It is a conceit of fantasy writers that a samurai warrior deposited in medieval Europe would have run roughshod over the crude, unskilled medieval knights.  In actuality medieval European fighters were skilled in many of the same unarmed techniques as the samurai, and their sword-fighting abilities were no less sophisticated.